Bidibidobidiboo: details of deception and irruptions in Maurizio Cattelan’s inventions
Resumo
Maurizio Cattelan's poetics is filled with wrong and irreverent details. It can be a pigeon inside a room at Venice Biennale or a chasm in the floor of a museum, it is the inscription "Hollywood" in the wrong place, it is a strange door in an alley of Chelsea in New York, an ambiguous word in a sign or a stolen expression in an interview. Details of stories and interiors then become devices to activate interpretative practices, relational aesthetics and postproductions, to create misunderstandings because – as the artist claims – "truth is only the moment when you claim something like yours".
Copyright (c) 2020 MODOS
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Ao enviar o artigo para submissão, o autor automaticamente cede os direitos de publicação à Revista MODOS. O conteúdo dos artigos é de responsabilidade dos autores.
Declaration of copyrights: When sending an article for submission, the author automatically concedes the publishing rights to MODOS Journal. The content of the articles is responsibility of the authors.